Breaking Boundaries as a British-Ghanaian actress in Film & TV x Anniwaa Buachie | S5 Ep.6
The Sound of Accra PodcastAugust 17, 2023x
6
35:1332.47 MB

Breaking Boundaries as a British-Ghanaian actress in Film & TV x Anniwaa Buachie | S5 Ep.6

This week, Adrian speaks to Anniwaa Buachie, an award-winning actress, filmmaker and writer, shifting sands in the entertainment industry, globally. Known for her portrayal of “Eka” a Nigerian mother battling with issues concerning FGM in the TV series Survivor’s Remorse STARZ, opposite the renowned Tichina Arnold, Teyonah Parris and Erica Ash. Anniwaa is also known for her role in British feature film Aux, staring alongside Jonathan Rhys Davis, and for her guest star role in long running British TV series Holby City.

Born in South West London to working class Ghanaian immigrants, Anniwaa is the youngest child out of four. Growing up in a creative household and multi-cultural London, Anniwaa was constantly exposed to a variety of cultures and art forms. 

Show Notes: https://thesoundofaccra.com/anniwaa

Watch on YouTube: https://youtu.be/SQ6mDvvFjBM

Check out Swiff: https://bit.ly/SwiffSOA
Download Menufinder Africa: https://www.menufinderafrica.com/ 


Connect with Anniwaa Buachie

Website: https://www.anniwaabuachie.com
Instagram: https://www.instagram.com/anniwaabuachie
Twitter: https://www.twitter.com/anniwaabuachie
IMDB: https://www.imdb.com/name/nm3977267/

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Timestamps

0:00 Intro
1:38 Aniwaaa: Actor, Filmmaker & Producer
2:26 Acting in America
3:49 British breaking into Hollywood
5:00 Notable TV & Film Roles 
6:25 Archer
7:30 Moon over Aburi
7:52 The Festival Circuit
09:15 Nigerian and South Africa Dominating Films and TV
11:55 Acting vs Producing vs Writing
13:57 Actors becoming directors
15:47 Acting as a Black Woman
17:01 Limited Roles because your Black
18:13 Create your own films
19:37 How social media is changing the film & TV industry 
22:16 Yaa Asantewaa
23:23 Anniwaa’s future
25:37 Acting pressures
26:33 Achievements and Awards
28:12 2023 plans
28:54 Favourite film
32:15 Biopics
33:18 Where in 5 years?
34:02 Socials
34:27 Tips for Actors and Producers
34:45 Outro


If you have feedback for the season or would like to share what you would like to hear from The Sound of Accra Podcast, please email info[at]thesoundofaccra.com with the subject 'Podcast feedback'


00:00:00
Hey, everyone. I got by the name of Adrian Daniels. And if this is your

00:00:03
first time listening, welcome to the Sound of Accra podcast, this is the show

00:00:07
where we chat with Top Ghanaian founders, entrepreneurs, and

00:00:10
creators worldwide with the aim of leaving you behind of meaningful

00:00:14
takeaways that you can apply in life business and career. just before

00:00:18
we get into this episode, I would like you to know that for today's show

00:00:21
notes, head over to thesoundofaccra.com/anniwaa.

00:00:24
That's a n n i w a a? Yes. That

00:00:28
is correct. That's correct. So thesoundofaccra.com/anniwaa everyone, that's

00:00:32
a, double n, i w a a. Got

00:00:36
you. That's it. And whilst you're here, please hit like,

00:00:40
subscribe, share the video and please give us a 5 star review if you're listening

00:00:44
to Spotify and Apple. so I'm joined, as you know,

00:00:47
by Anniwaa Buachie. She's an award winning British

00:00:51
Ghanaian, actress, filmmaker, and a writer. How are you doing? Thanks for coming

00:00:54
on the show. Thank you very much. This is coming. Lovely to see you. Thank

00:00:58
you for having me on the show, and I'm excited to go in a time

00:01:01
with you. Absolutely. Thank you for coming to Alfred, yeah,

00:01:04
anniversary as well, which is -- Yeah. That was really good. Everyone the week, which

00:01:08
is really good to have you. Brilliant. great to be a part of

00:01:11
your, celebrations and just looking forward to

00:01:15
hearing more about the sound of background and how you're expanding. Thank you

00:01:18
so much. Yeah. So, I mean, 2023, hopefully, it's, it's gonna be a good year

00:01:22
for us and looking forward to, hey. Well, you've got in store, which we'll get

00:01:25
into towards the end of their episode. Alright? So, anyway, look, for those that don't

00:01:29
know you, of course, I've I've got to know you over the past few weeks

00:01:32
or so. just give just give the audience, like, a elevator

00:01:35
60, 30 second pitch about who you are. so I'm

00:01:39
a guardian, British filmmaker, actress,

00:01:43
and just all around creative. I

00:01:47
was born and raised in London. I have lived in, LA, New York. I am

00:01:48
someone that likes to travel a lot

00:01:54
because I like to learn from lots of different people, lots of different environments.

00:01:58
I'm like a sponge, so I've solved that and developed work.

00:02:04
that always puts black women to the forefront of the conversation. Okay. Great. Okay. Cool.

00:02:06
So I can

00:02:11
You guys heard that from anyone. International lady. International lady.

00:02:15
Yeah. New York LA, London gone on well. I mean, this is quite

00:02:19
this is quite, something, but I think probably what takes you

00:02:22
to America quite a lot is you're acting acting in your -- It's acting.

00:02:26
I used to live in the States for about six and a half years.

00:02:32
I was very much interested and still very much am,

00:02:36
because this is what I do in expanding my acting

00:02:39
career so it goes beyond, the UK border. I felt like in America, there's more

00:02:40
opportunities for for Black

00:02:48
to play roles that are, you know, you're not just playing the mother and the

00:02:49
council state who the sons haven't, like,

00:02:58
fallen in the wrong crowd. You know, there's roles where you can be a lawyer.

00:03:01
You can, you know, be a

00:03:05
doctor and all that kind of stuff. Yeah. I mean, I've I mean, because you

00:03:08
got Hollywood and it's the the, you know, a huge film and TV in the

00:03:11
street of America. Right? Yeah. I mean, the UK is like a small little drop

00:03:15
in the ocean compared to America. Right? It's just it's America's massive. Exactly.

00:03:18
And a lot of the times In America, there's more executive

00:03:22
producers as well that aren't just white men -- Yeah. --

00:03:26
whereas in the UK, executive producers are predominantly

00:03:31
white men. Yeah. So so, like, it's like, you

00:03:34
know, so you're having to convince those execs

00:03:38
or commissioners, listen to your story

00:03:42
or want to try it and tell your story as a

00:03:46
black woman. It's a black woman. Yeah. And I just find it quite interesting as

00:03:49
a British guardian actor, or you could say like a black British actor. because

00:03:52
of what that's. So I just find it quite interesting about all of the

00:03:56
British actors that have kind of broken into, like,

00:04:00
you know, the film and TV industry by going to America and shooting

00:04:04
films there like, Daniel. Daniel. Yeah. I mean,

00:04:09
a male mean. There's so many of them. There's so many of these actors. I'm

00:04:11
sure there's more that I've missed as well, but there's so many of them that

00:04:13
have come to America. Once they get America, they've kind of been able to break

00:04:17
into any kind of film or TV. any anywhere in the world.

00:04:20
why do you but, I mean, of course, America's actually the the the other leaders,

00:04:24
and that's where, like, the most the value is. That's where pop culture

00:04:27
is. That's where, like, you know, they they, like you

00:04:31
said, money talks there. They have a lot of money that

00:04:34
they're they invest in entertainment there. Yeah. so

00:04:38
and is the entertainment capital in that sense when it comes to film and

00:04:42
TV? Okay. Cool. Alright. So let's get straight into it. So let's

00:04:45
let's talk a bit about your, your, kind of, your

00:04:49
resume in terms of TV film and produce or directing.

00:04:53
because, of course, you've been around different countries, of course, since you know, obvious reasons

00:04:57
is for your career and what you've been doing in the industry. Talk, can you

00:05:00
give us a quick run through of, like, what you've been doing? I mean, I've

00:05:03
seen your IMDB. I think this this is quite impressive. could you just share the

00:05:07
audience lights and notable roles and actions

00:05:11
or direct direct shifts that you've done. So in the UK,

00:05:15
I did, you know, the a a long time running show. I think it's

00:05:19
been running now for maybe 60 years. I wanna say,

00:05:22
like, offenders. you know, I just hold the

00:05:26
city. Hold the city. Then right.

00:05:31
Then, when I went to States, I did,

00:05:35
stars. I can't even I

00:05:39
can't even remember now. It's been quite a while. -- the show So we'll have

00:05:42
your I n d b, her I n d b in the show. There's no

00:05:44
way, but it's nice. Well, I worked with, like, Tatina Arnold.

00:05:51
I've worked with, Jonathan

00:05:55
Reece Mears, you know, in the

00:05:59
States, I have kind of branched more into voice acting

00:06:03
in terms of animation. So, I'm currently working

00:06:07
on X Men at the moment, X Men97,

00:06:11
Archer, which is a big classic. Everyone loves Archer. I don't think

00:06:15
I know it. Archer, it's a big one on Netflix. So I get a lot

00:06:19
of people who hit me up saying, yeah. But I saw you in the in

00:06:21
the -- I saw you in Archer. Yeah. Yeah. -- What is it?

00:06:25
Was it Archer's like it's a it's a satire -- Okay. -- of a

00:06:29
guy that's kinda like James Bond, but he's so silly. And he's just

00:06:33
like, the people around him solve the

00:06:36
cases. He's just like really do this and that kind of stuff.

00:06:40
Yeah. That's great. Where was it shot? Well, it's a shock. So, basically, when it

00:06:44
comes to voice animation, a lot of the times, you go into the studio and

00:06:47
then -- Oh, this is voice under this. Yeah. Under me. Yeah. They record your

00:06:50
voice. Yeah. and then sometimes it it's to match the

00:06:54
animation or sometimes the animation matches you. Yeah.

00:06:58
That's quite cool. Cool. So that's that's that's on Netflix right now. Yeah. Netflix. And

00:07:01
is is this like a US production UK production? It's a US production.

00:07:05
It's a lot of the stuff that I've I'm doing at the moment

00:07:08
is US based. Yeah. I mean, that's what money is. Right? Yeah. Yeah. Well,

00:07:13
that's plain. You know? but, of course, like, last

00:07:16
year, I, produced and starred

00:07:20
in a film by, Emmy Award winning

00:07:23
writer Pama doors could rule over Brie, shot by a

00:07:27
full gunning cast. you know, it was

00:07:31
shot in Ghana or Sue -- Wow. -- and also

00:07:35
in a brie. and, yeah, it's doing really well in the festival

00:07:39
circuit at the moment. Okay. Cool. We're working people see it or where where was

00:07:41
it? the words are shown. So at the moment, when what what happens with the

00:07:45
festival circuit is because it's it's just started

00:07:49
its round -- Okay. -- until it kinda does all the festival won't be able

00:07:52
to to screen. However, we have just been accepted into the Pan

00:07:56
African film festival, which is a Oscar qualifier for. Oh, nice.

00:08:00
Well, congratulations. Thank you, which will be happening in Los Angeles

00:08:04
in February 2023. Nice. if you happen to be in LA

00:08:08
in February, then definitely you'll be able to see the

00:08:12
no. Wonderful. Wonderful. I think it's it's

00:08:16
really good to see a lot more kind of like darlings

00:08:20
or being involved in films, which can have more

00:08:23
visibility in, like, country like America or even end up on them like a Netflix

00:08:27
or Amazon Prime Video or like a, what's the other one?

00:08:31
Apple TV, you won't be calling. I actually went

00:08:34
to a, I went to a summit, not last

00:08:38
year, but the year before 2021. And, I think it

00:08:42
was James Gardner. He was he was there. He was speaking about how

00:08:45
difficult it is for African actors to kind of like break

00:08:49
into the industry because when you do a form here, usually it's just

00:08:53
it's just shown on, like, the few screens and about it. So it's a

00:08:57
little limited to who you can reach, but I think what he was saying is

00:09:00
that he feels like the narrative's changing because he have Netflix now a lot more

00:09:03
advocates being important to Netflix. And now, and even Amazon Prime

00:09:07
Video now is is competing as well. So now he feels like there there might

00:09:11
be a change where finding the African film step to finally get the

00:09:14
attention of the reserve and even the money, the revenue of the reserve as well.

00:09:18
I feel like that's happening,

00:09:22
I feel like that's happening, but the focus always is on Nigeria

00:09:26
and South Africa. Yeah. And maybe Kenya. And with

00:09:29
the with with the tourism of Ghana,

00:09:33
with the music and with the number of African

00:09:37
Americans come in and enjoying. And, you know, what

00:09:41
I feel now is that there needs to be a series that

00:09:45
comes out from Ghana. And so Ghana is also a

00:09:48
contender when it comes to the African film market and the

00:09:52
streaming services. Yeah. it's understandable because

00:09:56
money talks, right, And because Nigeria is a big country. Yeah. And there's a

00:10:00
lot of, you know, people Nigeria, and they they have a an

00:10:03
established livelihood. Yeah. And, of course, with South Africa, there's a infrastructure

00:10:07
and there's familiarity, that a lot of

00:10:11
Europeans have. So they tend to all Europeans or

00:10:14
Western have So they tend to favor South Africa.

00:10:18
with the, east Africa, you know, it's becoming the new

00:10:22
tech hub as well. So now streamers are looking at that because

00:10:25
then you can tie in, you know, the fact that a

00:10:29
lot of East African people are able to you know, have access to

00:10:33
wifi to some extent. Right? so,

00:10:37
hopefully, this kind of speed

00:10:41
or the the development will reach Togana,

00:10:44
but it also has to come from Ghanaians

00:10:48
that entertain us entertainment system here to push for

00:10:52
it. Sure. Sure. Yeah. I'll I'll be doing need all the help. We can get,

00:10:56
like, from the government, I mean, the government, that's never conversation, but we need all

00:11:00
the help we can get to get a team to get garnet into the hat

00:11:03
of those African films because when you went out of social Netflix, I'm seeing

00:11:07
so many films produced in Nigeria or maybe South

00:11:10
Africa. Which is which is brilliant. Which is great. Yeah. But I mean, Ghana, I

00:11:14
think there's potential for Ghana to be in there. and then we have so

00:11:18
much potential tone to, like, the films we can make and stuff. I mean, like,

00:11:21
so many people wanna make a plumbing for our film. Oh, I Thank you again.

00:11:24
That's not a good start on that one. Yeah. Yeah. Yeah. And it

00:11:29
needs to happen. at least I have -- It

00:11:33
definitely needs that. -- the Americans would do it. Yeah. I mean, that's -- Yeah.

00:11:37
So, I mean, this is quite interesting. mean, the experience you have in

00:11:41
the act and the different types of roles you've got, you've got quite a range

00:11:44
of experience. what would you say that you

00:11:48
like the most or how would you kind of like

00:11:51
if, acting versus Ryan versus producing them directly? And what

00:11:55
so you've you've done well, you've you've done all of them, Ryan, you've acted. Have

00:11:58
you kind of produced I've actually produced. I've directed

00:12:02
a documentary. I've directed, like, some live theater

00:12:05
shows. Yep. and I have written out,

00:12:09
yeah, I've written as well. So what what

00:12:13
I mean, acting's always been my soul as my heart. That's that's me. That's

00:12:17
what I do. I've always been an actress. I've

00:12:20
never deviated from that whatsoever. I've always known

00:12:24
that's that's that's me from the get go. But

00:12:27
as you as you get further

00:12:31
within that, industry. It becomes

00:12:35
apparent, especially when you're a woman, that there's only

00:12:39
so much you can do because you're limited because

00:12:42
you're waiting on someone else to understand or you're

00:12:46
waiting for a story that speaks to you.

00:12:49
Mhmm. And I'm someone where I can't wait like that.

00:12:53
I like to be creative. So the whole writing

00:12:58
I kinda just fell into it because I was just like, okay. Why am I

00:13:01
why am I waiting for? So I started writing, but in terms of -- --

00:13:05
sense. Yeah. In terms of writing, it's like,

00:13:08
I like to write short stories and, you know, I

00:13:12
would make, like, short films about the short stories. Yeah. And so

00:13:16
it's it's right. It's a very personal thing, and I'm still at this stage where

00:13:19
I'm still trying to, find a way to

00:13:23
put myself out there when it comes to it. I've written pilots. You know, I've

00:13:27
got co writers as well that I I write with, and that's

00:13:31
something that I'm pushing to get my productions out there.

00:13:36
Yeah. And I think what what would you say is that the general,

00:13:40
what would you say that the general trend of people that start acting. because usually

00:13:43
what happens happens is they start acting. And then they start producing the

00:13:47
direction and then write in is, like, I tend to see, like, a trend in

00:13:50
the act. Like, for example, I know, Michael B. Jordan, he starts and, like, now

00:13:54
he's trying to direct and produce his own films, but he was just acting a

00:13:57
whole bunch of films. So I see a natural kind of like you

00:14:00
know, progression where you move away from acting and you start, oh, I

00:14:04
wanna start producing direct to the mate and write in movies now.

00:14:08
Amazon. Because you, as a producer, you have the opportunity

00:14:11
to, have a say as to what

00:14:15
type of story should be put forward. When you're an

00:14:19
actor, you're so used to someone saying, stand here, move here, say this like this,

00:14:23
do this like this. Look like this. be like this. No. You're

00:14:26
not right. You're too thin. You're too small. You're too dark. You're too and then

00:14:30
it start you start to play it starts playing your mind when you're like, okay.

00:14:33
I could easily do this role, but I have to

00:14:37
convince so many other people that I can. So a lot of the

00:14:41
times and that will get to a certain point where they have a certain

00:14:44
level of success or a certain income where

00:14:48
they can start investing back into themselves. So

00:14:52
they would then have a become a point where they're like, okay, I'm gonna

00:14:56
produce my own thing. And I know exactly who I want

00:14:59
to being it with me. and so, like, yeah,

00:15:03
producing is always the next level because you

00:15:08
On your way up, you've already met a number of directors and writers that you've

00:15:11
seen their journey and you wanna bring them in to create a story that's

00:15:15
impactful. to a new to an audience that's always there, but

00:15:19
it has always been forgotten. That's clever. That's clever. Using utilizing

00:15:23
the with the relationships you've you've built along the way in your way

00:15:26
to to create something tiny new. Mhmm. So you mentioned earlier

00:15:30
on, I just wanna double tap because you mentioned what, you know, as a woman

00:15:34
where, like, how is it for you as a black woman, like, for acting in

00:15:37
the industry? it can be in any country. How how's it, what's the

00:15:40
experience to challenge? I mean, we maybe not spend too much time in it, but

00:15:44
I'm like Yeah. I'm just gonna just just really quickly. I

00:15:47
think

00:15:53
I think as I think it

00:15:57
is reflective of society. So

00:16:02
there is a a there's a hierarchy in society,

00:16:06
and everybody knows this. and anyone that pretends that doesn't exist, I don't

00:16:10
know what world you're living in, but,

00:16:14
colorism comes into play a lot. racism

00:16:17
comes into play. there are it is

00:16:21
changing that, you know, there's a lot of,

00:16:24
improvements but there's also certain roles that

00:16:29
there's certain chances, certain roles that are black

00:16:32
woman has a black actress has.

00:16:37
and It's it's difficult sometimes

00:16:41
because, you know, you have to be very strong and understand

00:16:44
that it's not necessarily you. it's just the situation

00:16:48
and the industry. Have you had any personal experiences

00:16:52
of, like, being limited to your role or an opportunity because of the

00:16:55
cardio skin Anywhere?

00:17:00
Yes. I have. there's been a lot of

00:17:04
times,

00:17:08
Oh, that's -- Is it? Did I did I really did I talk? Did I

00:17:11
go did I go to a specific area, emotional area? Yeah. I

00:17:15
mean, like, there's been a lot of times where I've gone up for a role

00:17:19
and because I'm a a dark skinned woman -- Yeah. -- there's an

00:17:22
assumption that I'm not softer company vulnerable. Yeah. I

00:17:26
always have to be very strong, very militant.

00:17:31
you know, or very, like, Philly or Jovial,

00:17:37
there's there's never there's not really anything

00:17:41
where I'm just like, I'm just a woman that's just trying to figure out life.

00:17:44
It's always like a role where I really know where I'm going and what I'm

00:17:48
doing. Okay. And As people, we're not all like

00:17:51
that. Yeah. How's it made you feel when there's maybe a role or opportunities come

00:17:55
up in the industry and you haven't been able to do it? Because

00:17:59
of what you look like. I think at this point, I'm so used to it,

00:18:02
which is why I decided to create my own content now.

00:18:06
Yeah. I think this is the day and days that we're in now where people

00:18:09
are creating content. They're selling it to to the to the platforms. I mean, all

00:18:13
the Netflix and Amazon prime video of this other platform. Here, though, you name it.

00:18:17
Yeah. Apple plus TV is that they're just they're just like a

00:18:21
media. Right? You can go now, it's important opportunity. Now now go

00:18:24
straight to the source and just pitch your product to them rather than have

00:18:28
them to kinda like go through all of the motions and, you know, But even

00:18:32
when you're going straight to the source, there's still a lot of,

00:18:35
gatekeepers. 100%. Yeah. You know, and it's better

00:18:39
now. Yeah. but there's still some way to go, I think.

00:18:43
Absolutely. Yeah. I think in the this generation where you can create your content, unless

00:18:47
you charge people for it, upfront. Have you ever had to reach out before? Yeah.

00:18:50
That's fantastic. So, I mean, it's more I see it more of youtubers and

00:18:54
stuff, but in terms of the act to the actors and people that wanna write.

00:18:58
And there's, I mean, I see short films in YouTube, but I think maybe

00:19:02
it's harder for them to kinda, like, monetize it. Yeah. Yeah. because you

00:19:05
arrive at, like, watch that called YouTube tag content. so that's an interesting

00:19:09
one for real. Yeah. Definitely definitely is an interesting one

00:19:13
as well. So you've definitely you've definitely had a very interesting journey

00:19:17
in terms of, like, your career. what would you say

00:19:20
is, how how would you say, like, to be

00:19:24
like TV film? What would you say that?

00:19:29
is happening right now. That's improving or changing the narrative

00:19:33
of how TV and films are. I think

00:19:37
there's more black female writers are out there

00:19:41
that are being commissioned. that are

00:19:44
telling interesting stories.

00:19:48
and I also think that people actors

00:19:53
creatives are less inclined to not say anything anymore.

00:19:56
They're they're more inclined to highlight, certain

00:20:00
things like you know, colorism,

00:20:05
you know, narratives that are very stereotypical,

00:20:10
Yeah. People people speaking out a lot more and the power of

00:20:13
social media as well. That's a very good point because you've seen a lot more

00:20:17
people speak out on social media, and in a lot more voices are being heard

00:20:20
as well. that's kind of like changing things as well. Yeah. Yeah.

00:20:25
And, yeah, I think think there's been certain movies or films

00:20:28
where someone, maybe this person is gonna be the character, this

00:20:32
particular character, and then people, like, complained about it, and then they they made a

00:20:36
change. Exactly. Yeah. Even something is smaller, I think, Sonic

00:20:39
the hedgehog. I think some of the hedgehog was coming out, and I think like

00:20:43
the the Sonic community. I'm a Sonic fan and, the the kennemies, the

00:20:47
Sonic. Yeah. Yeah. And, I think that the community, the Sonic community, like,

00:20:51
they they add their opinions and then they they ended up changing either the voice

00:20:54
of actor or how I think it was how sonic looked like in a sense.

00:20:58
So I think with the day age of social media, like, it's a great opportunity

00:21:02
also for people that produce and writing directing films that -- Yeah. -- they put

00:21:05
out a teaser or trailer -- Yeah. -- and then people don't like they were

00:21:09
they would talk about it, and then they will quickly remove it. And -- There

00:21:11
you go. -- because they understand, like, you know, with, Black Panther,

00:21:15
they understand that the community we -- Yeah. -- we

00:21:20
when we back something, it does very well, like, financially, and now

00:21:23
they want to ensure that we're pleased as

00:21:27
well. You know, whereas before, I think, it was kinda like, oh, whatever. It

00:21:31
doesn't matter. Where, like, now, it's important because

00:21:34
we're lucrative. I feel like, I feel

00:21:38
like in terms of social

00:21:41
popular culture, what's cool, what's happening is very

00:21:45
reliant on the black community at the moment. Sure. Gotcha.

00:21:49
If you want to like being like a dream role, what

00:21:53
what what kind of film and what would that look like?

00:21:57
A dream role. It would actually be Yara Santawa.

00:22:01
Really? Yeah. I I wanna play

00:22:05
Yara Santawa. Has there been some films and productions made around Yara Santawa

00:22:09
Not yet. Not really. Not really. Not really. Not yet. Same

00:22:12
thing as one we've talked about. But that that is a

00:22:16
role. Yeah. since I was a kid, I've always wanted to play that. Do you

00:22:20
think it will be like the black Pamper type film or woman king

00:22:23
tackle that came out? even better. It it will be it will

00:22:27
be even better. Yeah. It would be even

00:22:31
it'll be even better. Yeah. I feel like

00:22:34
I feel like it's a Hollywood type film. If they made it, they can make

00:22:38
it look really, really good, but at the same time, like, you wanna have the

00:22:41
Africans And that's why I said it would be even better because the creatives

00:22:45
that write it -- Yeah. -- with yas Antoine. I I

00:22:49
it would be fantastic. Okay. If It

00:22:53
was led by gunning writers. 100%. And then they had

00:22:56
additional writers. That'd be a good one. I could I could see you doing that.

00:22:59
I've I haven't seen you. I haven't watched any of your your your your acting

00:23:03
gigs, but I can see you doing that really well just from speaking to you,

00:23:06
you know, of of Sam. Yeah. I think I can see. that's that's my

00:23:10
dream role to be honest. You know? So what do you wanna do

00:23:14
like in the in the in the future? Like, I mean, what what way where

00:23:17
you heading towards? Like, do you wanna, like, fully is

00:23:21
establish yourself as an actor, or do you wanna, like, move it to

00:23:25
producing, directing? I'm already established as an

00:23:29
actor. Okay. or okay. Let me let me actually

00:23:32
rephrase that. Maybe, like, do you wanna, like, like, be, like, super,

00:23:36
super style, or do you wanna just, like, With me, it's about the work.

00:23:40
because everyone everyone's different. Yeah. With me, it's about the work. Okay. If I

00:23:44
wanted fame -- Yeah. -- if I wanna just fame, I would've just taken off

00:23:47
my clothes 100%. You know what I mean? It's always been about the work craft.

00:23:51
The stories that I'm trying to tell. The audience is that I'm trying to target.

00:23:57
So I'd go with the stories. And if I have the power and the

00:24:01
means to produce, to bring more people on

00:24:06
to ensure that there's more people that are able

00:24:10
to get their foot in the door. That's what I'm gonna do because

00:24:15
for me, it's about bringing the whole village, not just an individual. It's an individual.

00:24:18
Yeah. Okay. So you're you're more into like state and choose

00:24:22
yourself and being able to pursue what you wanna do in

00:24:26
the act in industry or it's in the film industry. So all the TV

00:24:29
industry rather than just just taking any kind of role or doing

00:24:33
anything just to kind of make it to the top. Yeah. Yeah. It's a it's

00:24:36
a it's a it's a it's a multiple. It's a noticeable path. It's a noticeable

00:24:40
path, and I think my because when you when you've been in the

00:24:43
industry for a while, you have to be very specific. There's

00:24:47
power in saying yes. There's also power in saying no. just just know

00:24:51
when to do it. You know? And everyone

00:24:54
has, space to grow. Everyone has space to have that

00:24:58
opportunity. I feel like there's lots of people have compromised

00:25:02
in this industry to get to where they are. have you felt

00:25:05
temptations or pressures to kind of that marketing any kind of way, shape,

00:25:09
or form to -- Like, Harvey Weinstein kind of way. But --

00:25:13
Sure. I mean, maybe that's a bit too extreme, but in any way, shape, or

00:25:16
form, have you felt like pressures or -- I felt. Yeah. That's -- I'm sure

00:25:19
they must be kind of must be common. Right? -- pressures in terms of, like,

00:25:22
aesthetically pressures in terms of, like,

00:25:28
planes that involves, you know,

00:25:32
plain slave roles, and and say no to that because

00:25:36
I just feel like how many slow films have we had?

00:25:39
what does it what does it How can I put it? At

00:25:43
this point, I think we need to move in a

00:25:47
direction where it's telling a a different

00:25:50
story about a situation. And that's

00:25:54
that's something that I believe woman king did really well.

00:25:58
Yeah. I haven't seen that for me in all this. I've seen that Pamper too,

00:26:00
but I've seen woman too. I have no idea what it's like.

00:26:04
Yeah. Yeah. I have an I have an idea of what it's like, but I

00:26:07
haven't seen it, but I'm sure it must be good for production. Yes. Fantastic.

00:26:11
Production point of view. Yeah. So, what would

00:26:14
you say is, like, some of the achievements and awards that you've

00:26:18
made, like, any kind of key awards achievements picked up along the way in

00:26:22
your Yeah. I mean, I think my major

00:26:26
achievement is producing, the short

00:26:29
film, you know, the in Ghana. Like, I always wanted to

00:26:34
create a film here. I had friends that had tried

00:26:37
before, and it was never successful for them. So

00:26:41
doing it here, starting it here, I was a bit nervous. I was I was

00:26:44
a bit scared, and I worked with amazing people

00:26:48
here, like, the cast, the crew. Absolutely amazing.

00:26:52
And what we have, what we've achieved together -- Yeah. -- is

00:26:55
very beautiful, and I'm really excited that at some point, for everyone

00:26:59
to see it. Yeah. I'll I'll I'll love to see it. I mean, there's 1

00:27:02
or 2 films, grassroots films that I've I've seen in in the cinema in

00:27:06
Ghana Yeah. And now I think one is finally coming onto Netflix, which is

00:27:10
quite interesting. That's good. The one of, is it, what's this guy

00:27:14
called? Ajite? What's his name? What's his full name? I can't remember his name. So

00:27:17
if you, I think he wants to take to take tiktak in one of these

00:27:20
TV shows back in the day, I can't remember his full name. Oh, good. Good.

00:27:23
Good. yeah, I think. Yeah. But anyway, it's just really good to see, you know,

00:27:27
a lot more, you know, films and TV shows and short films

00:27:31
just getting the recognition it deserves. I'll come in to see it. I'd be able

00:27:34
to see it. Yeah. Really, really can't. And, what's

00:27:37
what's what's the next thing I wanted to ask you? So, in terms

00:27:41
of what you wanna do like, in in in 2023. What does

00:27:45
that look like? Oh, it's already really busy.

00:27:49
It's already really busy. So I actually wanted to film,

00:27:53
like, 2 more documentaries that have,

00:27:57
up my sleeve. So I

00:28:00
wanna fill in 2 more documentaries. Of course, Moonova Breeze doing the festival

00:28:04
circuit, so I'm doing a lot of traveling with that.

00:28:09
I am also gonna be working on a festival,

00:28:13
in the UK in London, for black creatives.

00:28:18
and I'm also hosting, like, what? I'm being

00:28:22
a part of a female filmmaker event. at the

00:28:26
barbican in London, to discuss my film saying, but

00:28:29
different. so the first quarter

00:28:33
is is packed. Yeah. You're busy, man. And then when I when I get

00:28:37
towards the end of the first quarter, then I start to look at the second

00:28:41
quarter. Okay. Then you'll start. So then look up what what opportunities you wanna

00:28:44
pursue? Yeah. Take you stay as it comes. Wonderful.

00:28:48
What what's your favorite film? Jab 1.

00:28:52
Is that a trick question? That's not a trick question,

00:28:56
Adrian. Okay. He's a favorite actor. Again -- This is a trick

00:29:00
question as well. -- trick question. TB show?

00:29:05
I have so many. The way the way I was. Okay. Let's maybe you can

00:29:08
name some. Okay. OB

00:29:12
City.

00:29:16
my favorite film. Yeah. I really like

00:29:20
requiem of a dream.

00:29:25
I really also like do the right thing.

00:29:28
Yeah. I've I've seen bits of it. It's it's it's so it's powerful.

00:29:32
did the right thing. And, Just put things based on the 90s or

00:29:36
80s. Is that in Harlem Harlem or something like that? Yeah.

00:29:39
Yeah. No. Brooklyn. Brooklyn. Brooklyn. 1 of 1 of the parts of

00:29:43
New York. Yeah. and

00:29:48
In terms of TV shows off, there's so many. Yeah.

00:29:52
There's an email I had to go with share. Of course, I guess we can

00:29:55
skip it. TV shows, I would say that I watch

00:29:59
recently. Do you know what I watch recently, which I really like is

00:30:05
Bloodamoto. Bloodamoto. Yes. The South African series.

00:30:08
Okay. that one is really good. Mhmm. And

00:30:16
I haven't started it yet. I've heard really great things by,

00:30:19
succession. Succession. What about, you know?

00:30:25
It's about, a family, very wealthy family.

00:30:29
And I think, like, a It's like a media mogul,

00:30:33
and he is, I think, retiring or something, and

00:30:36
he's handing over. to

00:30:40
his family, like the business. Wow.

00:30:44
But he has, like, a number of children -- Okay. -- that they need to,

00:30:47
you know, So it's like, I think about sibling rivalry.

00:30:50
So it sounds very kinglier to me, basically. Yeah. No. It sounds

00:30:54
like a really good plot. a good story line as well. I would love to

00:30:58
watch something like that. It sounds exciting. It's just it's like a level anticipation of

00:31:01
what's gonna happen. take to it, you know, are they gonna live up to the

00:31:05
to the pressure and all that kind of stuff? what's your

00:31:08
favorite genre of of of movie or film? I mean, to to act

00:31:12
in I love I love thrillers. I love thrillers. I

00:31:16
love action. Okay. and I

00:31:19
also like, biopics. Yeah. I like to

00:31:23
sit down and watch biopics. Like, the Ray Charles biopic is

00:31:27
is absolutely. Yeah. Yeah. You love that one? Yeah.

00:31:31
That one's really, really good. Yeah. Really good. Which one do I

00:31:34
like? I mean, I mean, What's this 1? What's

00:31:38
£7? And sorry. To see your happiness, I was not that

00:31:42
1. Yeah. Tina Turner. Tina Turner. Yeah. I can

00:31:45
see you probably doing that. Angela Bassett Tina Tanner. He's

00:31:49
gonna have to see that. No. I haven't seen it. No. I haven't seen it.

00:31:52
That that forms really good. happen to see. There's there's a few really good

00:31:56
biopics out there. I think biopics, like, the storylines are so powerful as

00:31:59
well. Yeah. So biopics are they they like films like real life. And they,

00:32:03
like, they films based on true story? Their films based on, yeah, true story.

00:32:07
Yeah. Yeah. Yeah. I really like -- Real people, real life.

00:32:10
Yeah. I really like the the serenum in the Williams 1. I

00:32:14
haven't seen that one yet. That was powerful. Yeah. I'm a covered sports. Yeah. I

00:32:18
really enjoyed that one as well. King Richards. That's it. King

00:32:21
Richards. She knows that. Yeah. You're really,

00:32:25
you're not. Okay. So If I mentioned the word that a car to you,

00:32:29
what four to five's feelings come to mind? If you so

00:32:33
if I mentioned the word a car to you, what four's fives or feelings come

00:32:36
to mind? enjoyment? Yeah. Just enjoyment.

00:32:41
enjoyment. heat.

00:32:46
palm wine, pineapple.

00:32:50
Just blend at words.

00:32:54
Yeah. Just just

00:32:59
whole heartless, like fulfillment, vibrancy. Yeah.

00:33:04
Yeah. Okay. We're generally being 5 years in terms of your

00:33:08
your your act you're acting producing production that you're creating

00:33:12
legacy. what 5, 10 years, like, what would you wanna be? I would

00:33:15
like to have my own production company. Mhmm. And I want my production

00:33:19
company to also, be based here.

00:33:23
Focusing on producing, TV

00:33:26
content, based in Africa.

00:33:30
Wonderful. primarily in Ghana,

00:33:34
with streams on Netflix or either Amazon,

00:33:39
And I wanna be in a situation where I

00:33:44
also live in Ghana like

00:33:48
Elise 6 months of the year, live in the US for 3

00:33:51
months, and then live in the UK for 3 months. Where can everyone find you?

00:33:56
you can find me at www.anniwaabuachie.com

00:34:00
or or my socials, which is at anniwaa

00:34:08
buachie. Mhmm. That's where you can find me. Wonderful.

00:34:12
Well, there you have it, guys. Anniwaa Buachie on the Sound of Accra podcast.

00:34:15
what tips would you give to aspiring actors, producers, director?

00:34:19
Real quick. Just say focus,

00:34:23
write down everything that you find interesting because it might be a story of

00:34:27
film or something you would like to share later. And,

00:34:31
there's always room for another story, another expected.

00:34:34
Wonderful. Well, sweet and short. You have it,

00:34:38
guys. Anniwaa Buachie, actor.

00:34:42
writer, producer. She does it all. You can get all of the

00:34:46
links, references, all the nuggets, and the gems, and the wisdom

00:34:50
by heading over to the www.thesoundofaccra.com/anniwaa anyone that's a,

00:34:54
double n, I w, double a. Okay. I've got it. Yeah.

00:34:57
And, yeah, on your way out, hit like share it leave us a comment. Let

00:35:01
us know what you think of this episode. And if you're listening on the Apple

00:35:04
or Spotify please give us a 5 star review. It does more than you know,

00:35:07
and, we'll see you in the next episode. Thank you so much.